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How it’s Going
Hyangmok Baik, Andy Dixon, Delphine Hennelly, Pedro Pedro, Sergio Roger, Kyle Staver, Yongqi Tang, Paris, 5 Nov 2024 - 15 Jan 2025

How it’s Going : Hyangmok Baik, Andy Dixon, Delphine Hennelly, Pedro Pedro, Sergio Roger, Kyle Staver, Yongqi Tang

Past exhibition
Delphine Hennelly, Not yet titled, 2024

Delphine Hennelly Canada, b. 1979

Not yet titled, 2024
Oil on canvas
101.5 x 76 cm
40 x 29 7/8 in
Copyright The Artist
Delphine Hennelly’s work addresses the human condition and prescribed gender roles through her use of pattern, repetition, and uncanny colour palettes. Reminiscent of silk ribbons or powdery tufted upholstery, Hennelly’s...
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Delphine Hennelly’s work addresses the human condition and prescribed gender roles through her use of pattern, repetition, and uncanny colour palettes. Reminiscent of silk ribbons or powdery tufted upholstery, Hennelly’s paintings extend her longstanding interest in color as a way to create atmosphere and mood. Her work is particularly inspired by tapestries, art history, and early modernism, which she references through motifs, compositional structures and gestures. Some of Hennelly’s figures are modelled after the ones in popular eighteenth-century “boudoir paintings,” whose sensual qualities Hennelly amplifies.

Le travail de Delphine Hennelly aborde la condition humaine et les rôles de genre à travers l’utilisation de motifs, de répétitions et de palettes de couleurs étranges. Évoquant des rubans de soie ou des tissus capitonnés poudrés, les peintures de Hennelly prolongent son intérêt de longue date pour la couleur comme moyen de créer une atmosphère et une ambiance. Son travail s’inspire particulièrement des tapisseries et de l’histoire de l’art, qu’elle évoque à travers des motifs, des structures compositionnelles et des gestes. Certaines figures de Hennelly sont modelées d’après celles des « peintures de boudoir » populaires du XVIIIe siècle, dont elle amplifie les qualités sensuelles.
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