Hassan Hajjaj Morocco, b. 1961
SP Bikin’, 2015/1436
Print: Metallic Lambda on 3mm dibond
Frame: Wood sprayed white gloss with 56 x "Aïcha" tomato cans
Frame: Wood sprayed white gloss with 56 x "Aïcha" tomato cans
133 x 94 x 6.5 cm
52 3/8 x 37 x 2 1/2 in
52 3/8 x 37 x 2 1/2 in
Edition of 5 plus 2 artist's proofs
Copyright The Artist
Hassan Hajjaj's work is a form of celebration of the popular visual culture of the souk, a social space, symbol of interaction and exchange. The artist borrows from Moroccan culture,...
Hassan Hajjaj's work is a form of celebration of the popular visual culture of the souk, a social space, symbol of interaction and exchange. The artist borrows from Moroccan culture, uses pictorial stereotypes such as odalisques or brand images with their cult logos. It is with audacity that he assembles and opposes oriental and western elements, to create a rich and universal universe. The attention Hassan Hajjaj takes in framing his photos is reminiscent of the degree of finishing touches in the repetition of the motifs of Islamic decorative art.
His work evolves between several artistic universes: photography, fashion, music, cinema and design.
His work evolves between several artistic universes: photography, fashion, music, cinema and design.
Exhibitions
His works have joined renowned collections including the Los Angeles County Museum of Art (United States), the Virginia Museum of Fine Arts (United States), the Institute of Islamic Cultures in Paris ( France), the Victoria and Albert Museum (United Kingdom), the Barjeel collection (United Arab Emirates)… The artist benefited in 2019 from a major retrospective at the Maison Européenne de la Photographie.Join our mailing list
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