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Gaëlle Choisne
France, 1985

Gaëlle Choisne France, 1985

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Gaëlle Choisne, Safe Space for a passing History_Adelina Levêque, 2022

Gaëlle Choisne France, 1985

Safe Space for a passing History_Adelina Levêque, 2022
Plywood panels, UV print, collage, paint, precious stones, clay, keys and other significant objects
30 x 25 cm
11 3/4 x 9 7/8 in
Copyright The Artist
Demander des renseignements
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Gaëlle Choisne's work seeks to forge relationships beyond preconceived notions of identity by confronting the systems of oppression that produce and sustain them. Through hybrid forms and layered narratives, her...
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Gaëlle Choisne's work seeks to forge relationships beyond preconceived notions of identity by confronting the systems of oppression that produce and sustain them. Through hybrid forms and layered narratives, her practice explores the possibility of collective healing. In Safe Spaces for a Passing History, she develops this inquiry through what she calls "scrap painting," a process in which techniques and iconographies drawn from both popular and scholarly traditions converge. Combining ceramics, pastel, painting, photographs, archival images, talismanic writing, and everyday objects across a range of supports, she reshapes the language of painting according to her own methods, foregrounding the embodied nature of the metaphysical and political questions that animate her work.

Élisabeth Adélina Dérival Lévêque, later known as Adélina Soulouque, was born on July 26, 1820, in Arcahaie, Haiti, and died on October 12, 1878, in Anse-à-Galets. She was the wife of Faustin Soulouque, who became Emperor Faustin I of Haiti, and was Haiti’s last empress. The number 6 is associated with a caring, responsible personality and a strong appreciation for beauty, guided by a desire for harmony, love, and commitment. However, it can also suggest jealousy, a quick temper, or indecisiveness, as well as a deep sensitivity to conflict and rejection.


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Le travail de Gaëlle Choisne cherche à nouer des relations qui dépassent les assignations identitaires, en se confrontant aux systèmes d’oppression qui les produisent et les perpétuent. À travers des formes hybrides et des récits stratifiés, sa pratique explore la possibilité d’une réparation collective. Dans Safe Spaces for a Passing History, elle poursuit cette recherche à travers ce qu’elle nomme la « scrap painting », un processus qui fait converger des techniques et des iconographies issues de traditions aussi bien populaires que savantes. Associant céramique, pastel, peinture, photographies, images d’archives, écritures talismaniques et objets du quotidien sur une diversité de supports, elle recompose le langage de la peinture selon des méthodes qui lui sont propres, mettant au premier plan la dimension incarnée des questions métaphysiques et politiques qui traversent son œuvre.

Élisabeth Adélina Dérival Lévêque, devenue Adélina Soulouque, née le 26 juillet 1820 à Arcahaie en Haïti et morte le 12 octobre 1878 à Anse-à-Galets, est l’épouse de Faustin Soulouque, devenu l’empereur Faustin Ier d’Haïti, et la dernière impératrice d’Haïti. Le 6 reflète une personnalité bienveillante, responsable et sensible à l’esthétisme, guidée par le besoin d’harmonie, d’amour et d’engagement. Elle peut toutefois devenir jalouse, colérique ou indécise, souffrant profondément des conflits et du rejet.

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+33 1 45 31 54 16

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