Mehdi-Georges Lahlou positions himself as a goldsmith of memory, shaping a space where collective memory and the archive intertwine. Far from limiting himself to a mere reflection on remembrance, he approaches the archive as a living testimony, capable of mutation and metamorphosis. In doing so, he engages the viewer in a dance between past and present, a choreography in which each step measures the impact of historical actions on the contemporary context.
Mehdi-Georges Lahlou presents himself as a true chronicler of modern times, inviting us to a collective introspectionwhere colonial questions and climate change intertwine in a visual symphony, at once melancholic and resolutely forward-looking.
Images and text courtesy of the artist and Galerie Papillon.
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De la Conférence des Palmiers, totem dattier (From the Palm Conference: Date Palm Totem), 2024 -
Fond Paradisiaque #3 , 2023 -
Aile de Papillon, Noir et Jaune, 2022 -
Casablanca, March 26, 2016, 2022 -
Casablanca, March 26, 2016, 2022 -
Casablanca, March 26, 2016, 2022 -
Casablanca, March 26, 2016, 2022 -
Créature pour chaman ou autoportrait à la cannelle, 2018 -
Créature pour chaman ou autoportrait à la cannelle (Creature for a Shaman or Cinnamon Self-Portrait), 2018


