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Artworks

Yoann Estevenin, Silent Guardians: Peace, 2026
Yoann Estevenin, Silent Guardians: Peace, 2026
Yoann Estevenin, Silent Guardians: Peace, 2026
Yoann Estevenin, Silent Guardians: Peace, 2026
Yoann Estevenin, Silent Guardians: Peace, 2026

Yoann Estevenin France, b. 1992

Silent Guardians: Peace, 2026
Glazed ceramics, gold leaf (22 carat)
40 x 14 x 14 cm
15 3/4 x 5 1/2 x 5 1/2 in
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The series of sculptures titled Silent Guardians forms an intimate bestiary made of familiar animals, animated fruits, lunar shapes, and hybrid presences. Each sculpture appears imbued with a singular presence,...
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The series of sculptures titled Silent Guardians forms an intimate bestiary made of familiar animals, animated fruits, lunar shapes, and hybrid presences. Each sculpture appears imbued with a singular presence, at the threshold between memory, instinct, and observation of the living world.

These silent figures arise from the observation of the garden, visible from the artist’s studio. This familiar landscape is shaped by the movement of birds, the trembling of vegetal forms, shifting light, and silences. More than a backdrop, this intimate environment acts as a sensitive matrix from which the works emerge.


Created without models and far from any naturalistic approach, the forms arise from elsewhere, closer to memory and myth than to description. They carry an essential ambiguity: at once gentle and unsettling, archaic and contemporary, tender and oracular.


___________

L’ensemble de sculptures intitulé Silent Guardians constitue un bestiaire intime fait d’animaux familiers, de fruits animés, de formes lunaires et de présences hybrides. Chaque sculpture semble investie d’une présence singulière, à la frontière entre mémoire, instinct et observation du vivant.

Ces figures silencieuses naissent de l’observation du jardin, visible depuis l’atelier de l’artiste. Ce paysage familier est rythmé par la danse des oiseaux, le frémissement des formes végétales, la lumière changeante et les silences. Plus qu’un décor, cet environnement intime agit comme une matrice sensible où les œuvres trouvent leur source.

Conçues sans modèle, loin d’une approche naturaliste, les formes émergent d’un ailleurs, plus proche du souvenir et du mythe que de la description. Elles portent en elles une ambiguïté essentielle : elles sont à la fois douces et troublantes, archaïques et contemporaines, tendres et oraculaires.
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